EXOTIC GOTHIC Artists Salute Past Masters
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READINGS by
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Neil Gaiman ***
Lucy Taylor *** Barbara Roden |
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But the charm of the tale is in the telling.
--H.P. Lovecraft, Supernatural Horror in Literature |
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H. R.
Wakefield, Arthur Conan Doyle, Charlotte Perkins Gilman, and the gloriously
portentous 1950s
No less an authority than H.P. Lovecraft once affirmed the “great heights of horror” that British ghost & weird story writer H.R. Wakefield (1888-1964) achieved, despite his “vitiating air of sophistication”. In the still rewarding Supernatural Literature of Horror, Lovecraft especially praised Wakefield’s tales, He Cometh and He Passeth By, And He Shall Sing, The Cairn, Look Up There, The Red Lodge “with its slimy aqueous evil”, The Seventeenth Hole at Duncaster with “that bit of lurking millennial horror” , and Blind Man's Buff. Ash Tree Press publisher and World Fantasy Prize recipient Barbara Roden reads Blind Man’s Buff, a story republished in their pictured Wakefield collection Old Man’s Beard.
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Surveying from England to New England, Lovecraft had an even more generous lauding of American writer Charlotte Perkins Gilman (1860-1935): “The Yellow Wall Paper rises to a classic level in subtly delineating the madness which crawls over a woman dwelling in the hideously papered room where a madwoman was once confined.” In a never heard recording, Stoker Award winner Lucy Taylor shares The Yellow Wall Paper.
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Lovecraft noticed the “powerfully spectral
note[s]” of Doyle nearly a century ago.
See if you sense them in New York Times best-selling author Neil Gaiman’s own A Study in Emerald, read by himself. And last come another story and a poem from
said author featuring those beings that may look human, but aren’t quite, read
again by their maker. What comes down to earth, what either blasts,
devours, or Lovecraftilly possesses others and may
soon us—the staple of
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